We have just sent you an email with a confirmation link.
Please click on this link to confirm your registration.

Bettina Flitner
- Boatpeople
-
Introduction
Bio
Exhibitions
Publications
Links
More contexts
Poetic passages
Bettina Flitner’s series “Boatpeople” put a unique object centre stage: a traditional Burmese boat. The photographer bought the wooden fishing boat at Inle Lake, situated on a plateau high in the Shan Hills along the Chinese border, and transported it to Cologne, where it sits on the Rhine. Filtner photographs a broad range of personalities and groups aboard the craft – including managers, nuns, and transvestites – creating a poetic, calming and humorous procession. The people appear to be on a journey of discovery, moving along the current of life. Self-aware and in distinctive poses, they are the lead actors in theatrical arrangements. We curiously and affectionately speculate about the people’s identities, and we sense the photographer’s joy in telling their stories.
Flitner draws cleverly from the genres of film and photography for her works. She uses her experience as an editor and director to ensure these remarkable projects produce powerful narrative moments. What begins as an idea becomes, through image composition, props, and the choice of distinctive subjects, a harmonious work of art.
Christina Wendenburg
Bettina Flitner’s series “Boatpeople” put a unique object centre stage: a traditional Burmese boat. The photographer bought the wooden fishing boat at Inle Lake, situated on a plateau high in the Shan Hills along the Chinese border, and transported it to Cologne, where it sits on the Rhine. Filtner photographs a broad range of personalities and groups aboard the craft – including managers, nuns, and transvestites – creating a poetic, calming and humorous procession. The people appear to be on a journey of discovery, moving along the current of life. Self-aware and in distinctive poses, they are the lead actors in theatrical arrangements. We curiously and affectionately speculate about the people’s identities, and we sense the photographer’s joy in telling their stories.
Flitner draws cleverly from the genres of film and photography for her works. She uses her experience as an editor and director to ensure these remarkable projects produce powerful narrative moments. What begins as an idea becomes, through image composition, props, and the choice of distinctive subjects, a harmonious work of art.
Christina Wendenburg
1961 | Born in Cologne, Germany |
Editor at WDR, Germany | |
1986-1992 | Studied at Deutschen Film- und Fernsehakademie, Berlin, Germany |
1989-present | Professional Photographer |
Solo Exhibitions (Selection)
Group Exhibitions (Selection)
2011 | Muscarelle Museum of Art, Williamsburg, USA |
Frauenmuseum Wiesbaden, Germany | |
2009 | Urania, Berlin, Germany |
2007 | Biblioteca National, Madrid, Spain |
Tour&Taxis, Brussels, Belgium | |
2005 | Tampere Art Museum, Tampere, Finland |
2004 | Swiss Re, Munich, Germany |
2003 | Frauenmuseum Wiesbaden, Loeper, Germany |
2002 | Museum für Kommunikation, Berlin, Germany |
2001-2002 | Museum of Contemporary Art, Taipeh, Taiwan |
2001 | Ich bin stolz ein Rechter zu sein, Art Cologne, Cologne, Germany |
1998 | Suermondt, Ludwig Museum, Aachen, Germany |
1996 | Der Rächer von Dresden Photography-Installation at the festival, Theater der Welt, Dresden, Germany |
Mein Herz Photography-Installation at the Lustgarten Berlin, Germany | |
Brückenschlag Photography-Installation, Cologne, Germany |
Group Exhibitions (Selection)
2010 | Galerie Zellermayer, Berlin, Germany |
2009 | Fotofestival Lodz, Fotofestival Luxembourg |
2008 | ART Cologne, Germany |
Studio Marangoni, Florenz, Italy | |
2006 | Am Strom, Galerie Holtmann, Cologne, Germany |
ART Cologne, Germany | |
2003 | wonderlands, Museum Küppersmühle Sammlung, Grothe, Germany |
1999 | ART Cologne, Galerie von Loeper, Germany |
1997 | Fotofestival Groningen, Netherlands |
1996 | Museum of Contemporary Art, Antwerp, Belgium |
1995 | Deutschland-Zyklus, 3rd Internationales Bildforum, Herten, Germany |
1993 | Sie nennen es Liebe, Neue Gesellschaft für Bildende Kunst, Berlin, Germany |
Contemporary German Photography, The Light Factory, North Carolina, USA | |
1991 | Krieg für Frieden, Elefanten-Press Galerie, Berlin, Germany |
Books/Catalogs (Selection)
Nicht als Frau geboren. Emma-Verlag, 1988
Reportage aus dem Niemandsland. Elefanten-Press, 1990
Gefangen in Zoo, zweitausendeins. 1993
Mein Herz-Mein Feind-Mein Denkmal – Drei Fotoessays. Emma-Verlag, 1995
Mitten ins Herz, Reportagen und Installationen. Edition Braus, 1998
L’Europe au Féminin. Éditions de la Martinière, 2004
Frauen mit Visionen – 48 Europäerinnen. Knesebeck-Verlag, 2006
Frauen die forschen – 25 Spitzenforscherinnen. Collection Rolf Heyne, 2008
Boatpeople. Emma-Verlag 2012
Reisen in Burma. Dumont Bucherverlag, 2012
Nicht als Frau geboren. Emma-Verlag, 1988
Reportage aus dem Niemandsland. Elefanten-Press, 1990
Gefangen in Zoo, zweitausendeins. 1993
Mein Herz-Mein Feind-Mein Denkmal – Drei Fotoessays. Emma-Verlag, 1995
Mitten ins Herz, Reportagen und Installationen. Edition Braus, 1998
L’Europe au Féminin. Éditions de la Martinière, 2004
Frauen mit Visionen – 48 Europäerinnen. Knesebeck-Verlag, 2006
Frauen die forschen – 25 Spitzenforscherinnen. Collection Rolf Heyne, 2008
Boatpeople. Emma-Verlag 2012
Reisen in Burma. Dumont Bucherverlag, 2012
Additional Information
Movies
Movies
1999 | Die Ministerin, Documentary, WDR, Germany |
1994 | Mein Feind, Documentary, screened at the Berlinale Festival in the category Neue deutsche Filme, Berlin, Germany |
1991 | Aktenzeichen XX-ungelöst, Motion Picture at RTL, Germany |
1989 | Das Fest, Documentary, WDR, Germany |
1988 | Ich, Short Film |
> read more
< read less